About a year ago, I thought I knew what I wanted the cover to look like. That was when the book was tentatively titled Black Earth: The Dark Lighthouse. My plan was to have a dark silhouette of a lighthouse spreading the 'dark light' across the landscape. But as I toiled with the storyline of The Dark Lighthouse, it became clear to me that the title was all wrong. Even though there are mentions of the lighthouses in book 3, they aren't an extremely prominent theme throughout the book.
And then came a scene that had prisoners of Legion - now being used as pawns in a sinister game - crawling out a dark vortex, their faces covered by masquerade masks made of Legion's shimmering black rock. And then came the President's dark adviser, an uncanny supernatural character who pulls the strings and manipulates the President into making detrimental decisions, destroying the United States in the process. And then came a traitor -
I've already said too much. Needless to say, I saw the common theme - veiled enemies. Masquerading villains. Darkness. Dark Masquerade. Perfect.
So no more lighthouses in the title, or on the cover. Now I need to find a good design that incorporates a masquerade mask that resembles the Legion masks referenced in Dark Masquerade. That shouldn't be too hard. My wife and I already have some ideas, and we'll be making a trip to Michael's craft store to see what we can find for the photography.
Of course, I want to keep with the cover theme that's been running through the series thus far.
End of the Innocence, book 1 in the series, was put together with various photographs that my wife took, including the stars in the skyline and the silhouetted tree, which my good friend Jelani Parham helped put on an invisible background. The shooting star was just a simple piece of clipart which Jelani added a nice glow to. And for anybody wondering, the Black Earth font is called Soul Mission and can be found here.
For The Broken Daisy, book 2, my wife took some pictures of downtown Phoenix- yes, the silhouetted buildings on the front are in Phoenix, even though about half the book takes place in Tucson and the other half in Los Angeles. The orange sky is actually another photograph my wife took.
I'll keep all of you up to date on the step-by-step process of cover creation as I move through it. I will also be overlapping the cover design for the fourth - and final - book in the series, Bridge to Anaisha, although we have no idea what we want for that cover yet.