What Jack Bauer Taught Me About Creating Compelling Characters

Anyone out there remember Jack Bauer? 24? It was - and is - only the greatest television show of all time.

I'll gush for a moment: I'm a total 24 addict. I was since the beginning of the first episode, and I continued to transform into full-blown fanboy geek by the time Fox aired the last episode of the eighth season. I own every DVD set including 24: Redemption - the made-for-TV movie, along with various comic books, graphic novels, soundtracks, TV Guides, and anything else that had to do with Jack Bauer, 24, or anything in the realm of those two things.

I was obsessed. I'll admit it. Still am a bit. A man crush? Maybe. I'm not ashamed.

Jack Bauer become my all-time favorite character...of all time. Of every book, comic book, television series and movie I ever subjected myself to in my lifetime, the character of Jack Bauer enthralled me more than any other.

Why?

Because his character was compelling. His character was edgy, tragic, heroic. The character of Jack Bauer fell somewhere in the gray area of morals and ethics. He did things he didn't want to do because he knew he had to do them if he wanted to succeed in his mission in keeping the world - and his home/family - safe and secure.

Jack Bauer tortures his brother, Graem.

Jack was an antihero of sorts. He rebelled against convention, he went up against the powers-that-be to unveil corruption at its vilest, and he risked the few for the many. He wrestled with the demons of his wife's death, he went up against his own brother and father who were corrupt, he killed an innocent government agent to appease a terrorist - and to save hundreds of people. He made the tough decisions you and I hope we never have to face in our lifetime. He wasn't just a good government/rogue agent - he was an effective agent. He got results, and didn't care what had to be done to achieve those results.

His character helped me in my own writing ventures. When I realized that 'good' characters aren't always good, it dawned on me that I had been raised to believe otherwise: good is good, bad is bad. There are definite boundaries that define the difference between the two, but when you're fighting terrorism at the level Jack was, where the bad guys don't play fair, where the lives of innocent people are on the line, a simple moral/ethic rulebook can't be followed. It has to be thrown out. One man - Jack Bauer - was there to save the day, save the world, even if he had to sacrifice part of himself and/or his relationships in the process.

Jack holds up a gas station - and takes a terrorist hostage!

Jack's character inspired me and helped influence some of the behavior of my own character, David Corbin, an ex-hero from my young adult, scifi-fantasy novel series. In one particular scene taken from Lost Birth, the second novel in the series, David, through a chain of events, finds himself in a jewelry store where the object he's been searching for - a necklace that is said to unlock an ancient timepiece that can save the world - is located. The cops and mall security are on him, and so he does the only thing he can faced with his impossible circumstances: he takes one of the jewelry store employees hostage. (My inspiration from this scene came from Jack's own actions in Season 4, episodes 3 and 4, when he holds up a gas station and takes hostages to buy himself time to catch some terrorists.) In doing so, David puts the jewelry store employee's life at risk, and in the end, his choice has tragic consequences.

I love characters like this. Characters who go beyond convention. Characters who aren't always fighting the bad guy with the twirling mustache, but are also fighting the everyday citizens who want to make the hero's day worse, fighting the demons within, fighting the very stereotype of what a hero is supposed to be.

Jack Bauer opened my eyes to the full potential my own characters can have. And even though 24 isn't airing on television anymore, he'll always be somewhere near my writing desk, adding to my muse.

Carrie Green's Wedding Dress

For weeks now I've been going through rewrites to an old novel I self-published years ago and am in the works of resurrecting from the ashes. As much as I love writing about other planets, forming intriguing plot lines, and creating chaos in my fictional worlds, I think the thing I love the most about writing fiction is character design. And with character design comes wardrobe design.

In the final chapters of my upcoming novel, Endangered Memories, one of my main characters, Carrie Green, is about to marry Jerad Montlier, one of the richest men in Anaisha. The novel's climax comes in around these scenes because my novel's protagonist, David Corbin, spends the majority of the novel trying to get to this wedding to stop it, both for love and to supposedly save the world. I know. Crazy!

When I originally wrote these scenes I didn't really give a whole lot of detail or attention to the wedding. I threw Carrie in a white dress, picked random colors for the reception tablecloths and called it a day. This time around, I'm being a bit more generous, giving some more meat to the bones of the story.

In each of my Expired Reality novels, novellas and short stories, I make sure that at least one object, one room, one character's clothing, has some reference to the colors black and red. I'm not sure what my obsession is with black and red, but those two colors make an unbeatable, gothic type combo and I thought it would be neat to incorporate the color scheme into Carrie's wedding dress.

Googling black and red wedding dresses, I was barraged by some interesting picks. Let's take a peak at them and see what I come up with. By the way, I don't take credit for any of these images, I'm simply using them as inspiration for creating my own wedding dress.

The thing I like about this first dress is the smoky look on the bottom. Kind of adds a mystic, fantasy element to the wedding, but the rest of the dress is too cluttered for me. 

Though this dress is more maroon and black than red and black, I kind of like the style with the alternating panels in the skirt.

I really like the flowing style of this dress and the fact that it seems to open in the skirt like a cape.Superhero style all the way!

What I like most about this dress is the design in the back, where it looks like the dress splits to reveal another layer. I also like the floral design in the front.

This dress is kind of neat with the red floral design in the bottom of the skirt (looks almost like flames), and the pattern in the bodice. The location of that red flower doesn't really cut it though.Weird.

Of all the images I searched, this one gave me the most inspiration for my wedding dress design...

What I like about this dress is the way it stays thin at the waist instead of blossoming out. I also like how the skirt acts as a shell of sorts to another layer underneath. I took this idea and decided to make the layer underneath black, with the shell being red. I like the style of the bodice - very elegant for a ritzy wedding - and I added my own black floral print going from the left waist up to the right breast, covering a good portion of the bodice. Carrie will have to do without the belt though.

Phew. Never thought I'd be designing a wedding dress in my lifetime, let alone planning someone else's wedding. Guess there's a first time for everything. LOL!